voir également : Europe
Bibliographie
Monographies
Adair (Gilbert),
Roddick (Nick), A Night at the Pictures : Ten
Decades of British Film, Columbus Books, ?, 1985.
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Ashby (Justine),
Higson (Andrew), British Cinema, Past and Present,
Routledge, Londres,
2000
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Aspect
sociologique essentiellement, un chapitre sur la distribution et un sur
la législation
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Auty (Martyn),
Roddick (Nick) (éd.), British Cinema Now,
BFI, Londres, 1985.
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Barnes (John),
The Rise of the Cinema in Great Britain: The
Beginnings of the Cinema in England
1894-1901, Bishopsgate Press, Londres, 1983, 272p.
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Barr (Charles),
Ealing Studios, David & Charles,
1977
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Barr (Charles),
All Our Yesterdays. 90 Years of British Cinema,
BFI, Londres, 1986
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Barr (Charles),
Typically British, BFI, Londres, 1995
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Berry (David),
Wales and Cinema: The First Hundred Years,
University of Wales Press, Cardiff,
1994
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Betts (Ernest),
The Film Business: a History of British Cinema
1896-1972, George Allen &
Unwin, 1973
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Binh (N.T.), Pilard
(Philippe) (dir. par), Typiquement British, le
cinéma britannique, Editions du Centre Georges
Pompidou, Paris, 2000.
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Boorman (John),
Money into Light, Faber and Faber,
Londres, 1985.
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Caughie (John),
The Companion to British and Irish Cinema,
Cassell-BFI, Londres, 1996, 204p.
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Corner (John),
Harvey (Sylvia), Entreprise and Heritage:
Crosscurrents of National Culture, Routledge, New
York/Londres, 1991, 271p.
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Evolution
et émergence des genres dominants dans le cinéma
britannique, évolution
de la politique du film au Royaume-Uni.
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Curran (James),
Porter (Vincent), British Cinema History,
Weidenfeld & Nicholson, Londres, 1983.
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Dickinson
(Margaret), Street
(Sarah), Cinema and State. The Film Industry and
the
British Government. 1927-1984, BFI, Londres, 1985
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Docherty (David),
Morrisson (David), Tracey (Michael), The Last
Picture Show? (Britain’s Changing Film
Audience), BFI, Londres, 1987
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Eberts (Jake), Ilott
(Terry), My Indecision is Final. The Rise and Fall
of Goldcrest Films, Faber and Faber, Londres / Boston, 1988.
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Témoignage
de première main sur la société de
production Goldcrest
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Eyles (Allen),
Gaumont
British Cinemas, BFI, Londres, 1996.
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Exploitation,
histoire des salles
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Eyles (Allen),
Odeon Cinemas, 1: Oscar Deutsch Entertains Our
Nation, BFI, Londres, 2002, 256p. et Eyles (Allen),
Odeon Cinemas, 2 : From J. Arthur Rank to the
Multiplex, BFI, Londres, 2004, 224p.
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Exploitation,
histoire des salles
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Eyles (Allen),
The Granada Theatres, BFI, Londres, 1998, 224p.
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Exploitation,
histoire des salles
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Finney (Angus),
The Egos Have landed: The Rise and Fall of Palace
Pictures, William Heinemann, Londres, 1996
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Sur
l'histoire de la société Palace.
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Friedman (Lester)
(Ed), Fires Were Started: British Cinema and Thatcherism,
University of Minessota Press/UCL Press, Minneapolis/Londres, 1993.
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Goodwin (Peter),
Television and the Tories (Broadcasting Policy
under Thatcher), BFI, Londres, 1996, 224p.
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| Gray (Richard), Cinemas in Britain : a History of Cinema Architecture, ? , Farnham, 2011 |
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Higson (Andrew),
Waving the Flag: Constructing a National Cinema,
Clarendon Press, Oxford, 1995,
322p.
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Kindem (Gorham) (Ed.),
The International Movie Industry,
Southern Illinois University Press, Carbondale &
Edwardsville, 2000, 417 p.
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Macnab (Geoffrey),
J. Arthur Rank and the British Film Industry,
Routledge, Londres, 1993, 270p.
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| Murphy (Robert), The British Cinema Book, BFI Publishing, Londres, 2001 (première édition en 1997) |
Mise en parallèle de l'évolution de l'industrie du cinéma britannique et les changements de politique |
Perry (George),
The Great British Picture Show, Pavilion
Books Ltd., Londres, 1985
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Petrie (Duncan),
New Question of British Cinema, British
Film Institute, Londres, 1992, 120p.
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Petrie (Duncan),
Screening Scotland, BFI Publishing,
Londres, 2000, 250p.
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Pilard (Philippe),
Le nouveau cinéma britannique: 1979-1988,
Hatier, Paris, 1989, 224p.
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Pilard (Philippe),
Histoire du cinéma britannique,
Nathan, 128, Paris, 1996, 128p.
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Sargeant (Amy),
British Cinema:
a Critical History, -, Londres, 2005, 374p.
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Spraos (John),
The Decline of the Cinema, Allen and
Unwin, Londres, 1962.
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Threadgall (Derek),
Sheperton Studios, an Indépendant View,
BFI, Londres, 1994, 198p.
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articles, thèses,
rapports
Bertrand (Nicolas),
Structures d’organisation et paradigmes
sectoriels : le cas des studios de cinéma en France et en
Grande-Bretagne (1895-1995), Thèse, mai 1996,
Centre de Recherche en Gestion de l’Ecole Polytechnique.
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Farrugia (Mathias),
The British Film Industry Today,
mémoire Paris IV, 1988
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| Higson
(Andrew), Caterer (James), "A indústria
cinematográfica britânica" in Meleiro
(Alessandra) (dir. par), Cinema
no mundo (indústria, política e mercado),
Escrituras / Iniciativa cultural , Sao Paulo, 2007 (volume 5. Europa) |
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A Bigger Picture:
the Report of the Film Policy Review Group, Department of
Culture, Media and Sport, London,
1998.
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Dyja (Eddie),
BFI Film and Television Handbook, BFI,
Londres, 2002, 480p.
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Annuel
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| Tirtaine (Cécilia), Le nouvel essor du cinéma britannique (1994-2004) : facteurs conjoncturels et structurels,
thèse de civilisation britannique, sous la direction de
Danièle Frison, Université Paris-Ouest Nanterre La
Défense, novembre 2008. |
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